The Age of Duse
Duse’s superpower: her capacity to disappear, leaving only her plaster hands as evidence that she was a material presence in the world. Disappearance. Reproduction. She knew the theatrical drill.
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The Other Balcony per Genet
(a scene without distance)
We Balconies will continue to sing our endless songs, our revolutionary shouts and pings: “Other worlds are possible even in impossible times!”
It would be about them
It must be with the sound of bells, bells that play longer than usual, which we perceive more clearly because […]
Costura / Weaving
THEATRE IS THE PRESENT IT REMEMBERS THE PAST AND IT’S RUSHING TOWARD THE FUTURE […] THEATRE MAKES CHILE EVERY DAY
Dramatis Personae
THE TROUBADOUR THE VIRGIN THE STALKER THE DRUNK THE VIOLIN MAKER
Choice & Consequence
The play begins / The play does not begin.
Implicit Monuments
Signs of violence are everywhere. Personal belongings, clothing, shoes, boxes, handbags, papers are scattered everywhere.
Imagining the Nonmaterial
These variables define terms and websites relating to the TAILs (The Amnesic Incognito Live System) software program, a comsec mechanism advocated by extremists on extremist forums.
Future Perfect : Gloss
The stage directions here describe the future, what will come to pass, and what has already passed for these characters between the time of the play’s setting and the time of the play’s writing.