sharing rhythm creates a political question about who determines rhythm and when trio in unison, with the possibility of becoming either backup dancers or soloists open-ended and absurdist and nonsensical shame as part of gaze
Wish-full thinking. It contains a wish, a hope, a possibility, a thought experiment, a fantasy, a “what if…”, the potential of the performance to enact change – political or social change, maybe, or a change in the energy of the room, or a psychological change, momentary or lasting, in the spectator.
A theatre foyer. Night. It is empty. The doors are locked. But if there were a woman there...
Dangling in mid-air like a thrust-out tongue, an oval-shaped rocky surface extends from the mouth of a cave to form a rough-hewn apron stage in the middle of a mountain.
This city is being made and headed for - from this town that has been arguing with me, it will get something.
It should be noted that the history of populism in the Americas is deeply entwined with the history of the balcony.
We Balconies will continue to sing our endless songs, our revolutionary shouts and pings: “Other worlds are possible even in impossible times!”
Can we compose a performance that sails to you across a virtual arc, like these words, with the harp vibration of a telegraph, and no risk of contagion? How do we shrink this microscopic stage?
It’s an experiment in placing the private in public, says the director—a device HE will learn to use well in the many years to come.
In the end there is not nothing. In the end there is endless everything.