Cubist Theater
I want to explore Cubist theater with the dramatic voice. Speaking history of the north and west. Working […]
I want to explore Cubist theater with the dramatic voice. Speaking history of the north and west. Working […]
The theatre that must exist is ugly and unsatisfying, much of the time. It is defined by failed efforts and a bizarre-bordering-on-pathological determination to return to the scene of the crime (in this scenario, artists are the criminals; art is the bullet; guess who the victims are?).
We have to do better to offer arts programs in under-resourced schools. We have to do better to offer arts programs in communities of color. We have to do better in the future. But how are we doing better now?
that moment before something is about to happen where anything is still possible in between this is where you are stuck
We Balconies will continue to sing our endless songs, our revolutionary shouts and pings: “Other worlds are possible even in impossible times!”
In the end there is not nothing. In the end there is endless everything.
Our theatre languages – not one, but many – will reflect the myriad visual, physical, social, musical and storytelling lives of our place and time, in the local vernaculars.
How can we embody the possibilities/impossibilities of decolonisation through dance?
I imagine theatre as the knife.