The heightened impossibilization of performance
Can we compose a performance that sails to you across a virtual arc, like these words, with the harp vibration of a telegraph, and no risk of contagion? How do we shrink this microscopic stage?
Can we compose a performance that sails to you across a virtual arc, like these words, with the harp vibration of a telegraph, and no risk of contagion? How do we shrink this microscopic stage?
It’s an experiment in placing the private in public, says the director—a device HE will learn to use well in the many years to come.
like where did every like body go?
Signs of violence are everywhere. Personal belongings, clothing, shoes, boxes, handbags, papers are scattered everywhere.
Imagine their devotion. Imagine what they heard.
What if the world is a room; what if the room is as large as the world?
The more I travel this story with them, the more and more familiar it becomes; more and more a part of my imagination, and less and less what it was when I encountered it.
Is it any different from anyone else? Is anyone even listening? The musician doesn’t know.
If I won’t say it, at least I wear the marks of what I won’t reveal.
Who goes with Caesar? A Drama in One Act SETTING The hold. A thick and layered darkness. A heavy odor […]