The Sacred Something
This landscape offers things up to you – and your body takes its place among them. Rest for a moment. You do not need to make anything appear; so much is already here, and you are not even close to being in control.
This landscape offers things up to you – and your body takes its place among them. Rest for a moment. You do not need to make anything appear; so much is already here, and you are not even close to being in control.
Maybe these letters and numbers help me imagine a catastrophic snowfall in Shelby County, KY, or the action in Correspondence. But really the numbers aren’t for me. They’re for my laptop.
Welcome to my gloss.
The stage directions here describe the future, what will come to pass, and what has already passed for these characters between the time of the play’s setting and the time of the play’s writing.
Who is that woman in the first paragraph, so jaded and bored? Even when I have seen a show, I have not really seen it. And there is always more to see. I start reading.
I’m standing in a queue waiting to get into my own show.
this is a list of edits from previous shows in their absence other things were possible some of them hurt
We are used to producing theatre that is designed to remove us from ourselves. Theatres enable us, the audience, to […]
2. audience
This raises the question of whether theatre pieces that engage with race as a concept should direct audiences towards particular kinds of arguments. And if there are inexplicit arguments about diverse casting and performance in this imagined piece, will they be evident to audiences?