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The Storehouse: A Live Magazine [Manifesto Excerpt]

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The public wanders through a collection of rooms, each with a different performance, exhibit, reading, meeting, game, discussion. Their experience is not fixed. They wander without moorings, the way a curious reader meanders through the pages of a magazine, not knowing what they’re searching for.

How can we rehearse for a future we don’t have an image of?

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What if we define values, principles, and methodologies, resisting the pressure to define outcomes? What if we focus on what drives us and on how we want to live and work together, but leave the imagination open to the concrete shapes our collaboration can take?

the theatre that I do not wish to imagine but wish to have

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The theatre that must exist is ugly and unsatisfying, much of the time. It is defined by failed efforts and a bizarre-bordering-on-pathological determination to return to the scene of the crime (in this scenario, artists are the criminals; art is the bullet; guess who the victims are?).

It would be about them : Gloss 2

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It is the fantasy of a body discovering new relationships with itself.  Silvia wants to be where there are no dimensions, neither internal nor external.

Reassembly : Gloss

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I can’t ever think of an example of theatre without an audience, though. Even if it is just me sitting here reading or thinking to myself, as you may be with this now.

Imagining the Nonmaterial

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These variables define terms and websites relating to the TAILs (The Amnesic Incognito Live System) software program, a comsec mechanism advocated by extremists on extremist forums.

This is Me : Gloss

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Open up. Let go of professional, strategic ideas of right and wrong, beauty and fear. Listen with an ear attuned to what is speaking. Listen as though the world is listening.