I Mumble the Body Electric,
or (i)Phone, (u)Phone
We hear an undeniably human voice. First a few. Then hundreds. Then thousands. Then all of the human voices in the world, all at once.
We hear an undeniably human voice. First a few. Then hundreds. Then thousands. Then all of the human voices in the world, all at once.
It starts when clearance is given. The house is opened. People begin to drift in.
Can you see it? A huge expanse of water, crystal clear, a cliché. Dotted with little floating heads.
What if the world is a room; what if the room is as large as the world?
The extravagance of these small fragments and minor aesthetic details are not wasteful, but beautiful. Think trans girl with diminutive ambition, sufficient amuse-bouche, endless caress, depressive, but comfortable, reparative when she leaks a little, and juvenile with a crush.
Who goes with Caesar? A Drama in One Act SETTING The hold. A thick and layered darkness. A heavy odor […]
I imagine theatre as the knife.
The “ultimate performance” requires the agora, as it demands a democratic space in which every author is also every other person’s performer.
Her reflections offer us a thinking-through of thought-making, thought-creation; a play between memory and invention, how feeling shapes itself into words.