Performance strategies for more-than-human audiences
I. humiliation Move continuously to humiliate yourself. This can be done as a solo, duo, or group practice. Consider the […]
I. humiliation Move continuously to humiliate yourself. This can be done as a solo, duo, or group practice. Consider the […]
The audience waits in dim light. They hear the sound of paper fluttering, sliding, and crinkling, before they see […]
What if we define values, principles, and methodologies, resisting the pressure to define outcomes? What if we focus on what drives us and on how we want to live and work together, but leave the imagination open to the concrete shapes our collaboration can take?
The theatre that must exist is ugly and unsatisfying, much of the time. It is defined by failed efforts and a bizarre-bordering-on-pathological determination to return to the scene of the crime (in this scenario, artists are the criminals; art is the bullet; guess who the victims are?).
It is raw, it is real, it is happening with you in the room and can only be experienced in the “here and now.” It is open to a multiplicity of heres and nows depending on the realities, perceptions, localities... of those present.
We have to do better to offer arts programs in under-resourced schools. We have to do better to offer arts programs in communities of color. We have to do better in the future. But how are we doing better now?
A theatre foyer. Night. It is empty. The doors are locked. But if there were a woman there...
They will surely become aware of the powers inherent in other generations, that the children and the elderly possess the wisdom of resurrection in our time.
This landscape offers things up to you – and your body takes its place among them. Rest for a moment. You do not need to make anything appear; so much is already here, and you are not even close to being in control.
Rubbing up against each other (which is also a thing), things thing, and thinking things think about things, which is just their thing.