Pneuma: Queer Telling : Gloss 1
They will surely become aware of the powers inherent in other generations, that the children and the elderly possess the wisdom of resurrection in our time.
Archives
I Mumble the Body Electric,
or (i)Phone, (u)Phone
We hear an undeniably human voice. First a few. Then hundreds. Then thousands. Then all of the human voices in the world, all at once.
It would be about them : Gloss 2
It is the fantasy of a body discovering new relationships with itself. Silvia wants to be where there are no dimensions, neither internal nor external.
S o n d e r / S t a s i s
We were making a circus show. On a bus. About a bus. Transforming a bus.
Implicit Monuments
Signs of violence are everywhere. Personal belongings, clothing, shoes, boxes, handbags, papers are scattered everywhere.
Redactions #9: A Fragile Thing
Imagine their devotion. Imagine what they heard.
The Sacred Something
This landscape offers things up to you – and your body takes its place among them. Rest for a moment. You do not need to make anything appear; so much is already here, and you are not even close to being in control.
A Reproduction (all the ghosts were children) : Gloss
The more I travel this story with them, the more and more familiar it becomes; more and more a part of my imagination, and less and less what it was when I encountered it.
Oroonoko, Called You, An Essay in Three Acts : Gloss
Who goes with Caesar? A Drama in One Act SETTING The hold. A thick and layered darkness. A heavy odor […]
Future Perfect : Gloss
The stage directions here describe the future, what will come to pass, and what has already passed for these characters between the time of the play’s setting and the time of the play’s writing.