Performance strategies for more-than-human audiences
I. humiliation Move continuously to humiliate yourself. This can be done as a solo, duo, or group practice. Consider the […]
Archives
feast
It is raw, it is real, it is happening with you in the room and can only be experienced in the “here and now.” It is open to a multiplicity of heres and nows depending on the realities, perceptions, localities... of those present.
ingat (to take care)
that moment before something is about to happen where anything is still possible in between this is where you are stuck
Dear Joan
A theatre foyer. Night. It is empty. The doors are locked. But if there were a woman there...
The Age of Duse
Duse’s superpower: her capacity to disappear, leaving only her plaster hands as evidence that she was a material presence in the world. Disappearance. Reproduction. She knew the theatrical drill.
Pneuma: Queer Telling : Gloss 1
They will surely become aware of the powers inherent in other generations, that the children and the elderly possess the wisdom of resurrection in our time.
Dramatis Personae
THE TROUBADOUR THE VIRGIN THE STALKER THE DRUNK THE VIOLIN MAKER
Future Perfect
It’s an experiment in placing the private in public, says the director—a device HE will learn to use well in the many years to come.
Oroonoko, Called You, An Essay in Three Acts : Gloss
Who goes with Caesar? A Drama in One Act SETTING The hold. A thick and layered darkness. A heavy odor […]
Nearly Finished : Gloss
The mics across his body amplify every breath, rustle, or shift in position. The audience can barely see him, but his body extends to their ears. It's intensely intimate with no space between us – just a shared sound-filled presence.