A Reproduction (all the ghosts were children) : Gloss
The more I travel this story with them, the more and more familiar it becomes; more and more a part of my imagination, and less and less what it was when I encountered it.
Archives
Dramatis Personae : Gloss
What makes me who I am, or lets me become what I am not?
Redactions #9 : Gloss
If I won’t say it, at least I wear the marks of what I won’t reveal.
Oroonoko, Called You, An Essay in Three Acts : Gloss
Who goes with Caesar? A Drama in One Act SETTING The hold. A thick and layered darkness. A heavy odor […]
A Complicated Version of Freedom : Gloss
How might a theatre piece take advantage of four different languages conceived as musical instruments, each one with its own unique potential?
Tides of the Wolf : Gloss
All the Worlds
We know in this space that we are not discrete and separate, but fountains of flesh making and remaking ourselves through infinities of possibility...
One-scene-one-person-one-song-musical : Gloss
Our theatre languages – not one, but many – will reflect the myriad visual, physical, social, musical and storytelling lives of our place and time, in the local vernaculars.
Theatre of the Everyday
We are used to producing theatre that is designed to remove us from ourselves. Theatres enable us, the audience, to […]
Edits to be Performed : Gloss 3
3. interruptions for 4 players