feast
It is raw, it is real, it is happening with you in the room and can only be experienced in the “here and now.” It is open to a multiplicity of heres and nows depending on the realities, perceptions, localities... of those present.
It is raw, it is real, it is happening with you in the room and can only be experienced in the “here and now.” It is open to a multiplicity of heres and nows depending on the realities, perceptions, localities... of those present.
that moment before something is about to happen where anything is still possible in between this is where you are stuck
A theatre foyer. Night. It is empty. The doors are locked. But if there were a woman there...
They will surely become aware of the powers inherent in other generations, that the children and the elderly possess the wisdom of resurrection in our time.
We hear an undeniably human voice. First a few. Then hundreds. Then thousands. Then all of the human voices in the world, all at once.
It’s an experiment in placing the private in public, says the director—a device HE will learn to use well in the many years to come.
This landscape offers things up to you – and your body takes its place among them. Rest for a moment. You do not need to make anything appear; so much is already here, and you are not even close to being in control.
A plastic theatre is deathless, staticky, sticky, silent. It is scary and strangely safe. Creepy and clinical but also ubiquitous.
The stage directions here describe the future, what will come to pass, and what has already passed for these characters between the time of the play’s setting and the time of the play’s writing.
Scenography is an open-ended concept, ‘… a sensory as well as an intellectual experience, emotional as well as rational.’[1] […]