Time lost along the way: Gone or Lost?
Let’s imagine a duration without regular pattern. Nothing in it is recognizable, nothing ever recurs. It is just a duration […]
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Lengua materna / Mother tongue
I do not imagine a theater, because I live theater, breathe it in and out; I dream it. But, if I had to imagine a theater, then I'd like to imagine that the languages that have been forgotten, which are still spoken in many parts of the world, would be part of this new playwriting.
Yeah, I Said It. Suck Your Mum.
Optional reading soundtrack: “SYM” by Kano (Hoodies All Summer, 2019). “SYM” (Suck Your Mum) is the closing track from British Grime-pioneer […]
performance score built with undated performance notes
sharing rhythm creates a political question about who determines rhythm and when trio in unison, with the possibility of becoming either backup dancers or soloists open-ended and absurdist and nonsensical shame as part of gaze
Work-in-Progress
We have to do better to offer arts programs in under-resourced schools. We have to do better to offer arts programs in communities of color. We have to do better in the future. But how are we doing better now?
Pandemic Disco
A virus, which is a notebook and some juicy apples, dances. A virus, which is a giant Siamese palace, dances. A virus, which is a helicopter landing, dances.
Oroonoko, Called You, An Essay in Three Acts
I hope you will forgive my using you. This trip we have no compass, but our ship, driven by Providence or stress of weather, needs some constellation to point us home.
Le Dernier Appel/The Last Call : Gloss
Decolonisation is deconstructing our understanding of the choices we have to make, and making them.
Blind Bats in the Belfry : Gloss
This raises the question of whether theatre pieces that engage with race as a concept should direct audiences towards particular kinds of arguments. And if there are inexplicit arguments about diverse casting and performance in this imagined piece, will they be evident to audiences?