Reassembly
It starts when clearance is given. The house is opened. People begin to drift in.
Archives
A Complicated Version of Freedom : Gloss
How might a theatre piece take advantage of four different languages conceived as musical instruments, each one with its own unique potential?
All the Worlds
We know in this space that we are not discrete and separate, but fountains of flesh making and remaking ourselves through infinities of possibility...
a game for world leaders to play
part boot camp, part active problem solving, ‘a game for world leaders to play’ is an immersive social play experiment themed around 21st century survival.
One-scene-one-person-one-song-musical
I’m a playwright by trade, and like Wainwrights and Shipwrights, in this modern world Playwrights are pretty useless. It is a dying art. Seriously disrupted.
Uncle Vanya in Krivina: playing near two rivers
I would like the house to be un-crumbled, to undo the damage done by an earthquake, time, distance and neglect, and to place the performance and the audience in that house.
One-scene-one-person-one-song-musical : Gloss
Our theatre languages – not one, but many – will reflect the myriad visual, physical, social, musical and storytelling lives of our place and time, in the local vernaculars.
Theatre of the Everyday
We are used to producing theatre that is designed to remove us from ourselves. Theatres enable us, the audience, to […]
This is Me
I’m a single lesbian looking for a lover. I’m 44. My favourite food is chops. I make art to make […]
Blind Bats in the Belfry : Gloss
This raises the question of whether theatre pieces that engage with race as a concept should direct audiences towards particular kinds of arguments. And if there are inexplicit arguments about diverse casting and performance in this imagined piece, will they be evident to audiences?