Theatre of the Everyday : Gloss
The “ultimate performance” requires the agora, as it demands a democratic space in which every author is also every other person’s performer.
Archives
Then a Cunning Voice and A Night We Spend Gazing at Stars
I welcome you. Go for a walk in the field. In the woods. Meadow. Desert. Street. Bring a roasted chicken dinner. Share it. All night there are sighs amongst us, a caress.
Kraal of Dreams : Gloss 2
At the heart of this work is an exploration of what it means to synergise ‘mainstream’ and ‘community’ theatre in rural South African contexts; it is a theatre that seeks to blur these historical, geographic, and theoretical divides.
A Bad Spell
You’re on a long slow road in the Karoo. It’s hot and dry and all of your previous girlfriends are hitchhiking out of Cradock.
The Circle
We are complex, diverse, and for us identity is a verb. Every show starts with The Circle.
Kraal of Dreams
Imagine a theatre of dream interpretation. A manifesto for a theatre of healing stolen cultural memory.
11 Days of Ama-zing!: Three Vistas of Grahamstown
Three scenes from the National Arts Festival, blending the real with the imaginary, the fantastical.
The OTHER Theatre
The primary aim of this theatre is to allow audiences to confront, engage with, and overcome their ignorance and fears about “others.”